Thursday, January 30, 2020

Indonesia Essay Example for Free

Indonesia Essay In the past, people in the Indonesia used to eat healthy and freshly prepared food with their families in their home. However, many people, particularly young people, prefer to eat fast food such as hamburgers, fried chicken, and pizza because it is really tasty. There are several causes and effects of consuming fast food, and this change has occurred such as change in lifestyle, influence in advertising, impact on health, loss of the family tradition of eating together, and impact on the economy. First, there are several causes for the popularity of fast food. A first reason is the change in lifestyle. Many people in the Indonesia are working long hours, shifts, or extended school days. They do not have time to find ingredients or prepare good food. A second reason is advertising. The Indonesia is a modern with all forms of media such as the Internet and satellite television, and people like to try new products and different kinds of fast food. However, this change can have some serious effects. One effect is on health. Many people in the Indonesia  are becoming obese. These people will be less productive and have conditions such as heart disease and diabetes. Another result of fast food culture is the loss of the family tradition of eating together. Children and adults rarely eat together now, and thus get less opportunity to talk. A further effect is on the economy. Although fast food is not very expensive, it is more expensive than cooking properly for yourselves. Many of the fast-food companies are franchisees of foreign corporations, so profits leave the country. In conclusion, fast food, although it is convenient and delicious, it can have serious health and social effects. People should learn to choose fast food carefully and remember the pleasure of eating good food in good company.

Wednesday, January 22, 2020

History of Nazi Germany :: World War II History

History of Nazi Germany National Socialism between 1920 and 1945 can best be described as an era of constant change. Hitler's enrollment in the German Worker's Party provided him the foundation needed to propel his idealistic views of anti-Semitism and Aryan superiority. Soon after Hitler's enrollment the party's name was changed to the National Socialist German Worker's Party and in the summer of 1921 his talents as an orator and propagandist enabled him to take over the leadership of the Nazi Party. Hitler's initial following - stemmed from German hyper-inflation and devaluation of the mark - included unemployed workers and the lower class, his keen ability to organize rallies to hear his speeches were instrumental in raising monies for the Nazi Party. Although the majority of his followers shared his dislike of the Weimar Republic's liberal democracy and anti-Semitic agenda, his party support, due to it's small size, was limited to the Bavarian region of German, this would prove to be a limiting factor w hen Hitler attempted to seize control of the provincial Bavarian government during his Beer Hall Putsch in November 1923. Hitler's ill-fated attempt of treason proved to work to his advantage; thus, giving him national status as a patriot and a hero in the eyes of many. As a result, Hitler served 9 months in prison for the Beer Hall Putsch and wrote a book titled Mein Kampf (My Struggle) outlining his vision for the future Germany. By late 1924 Hitler was release on parole, after serving a portion his five year sentence, and quickly regained control of the Nazi Party, noting that any future seizure must come by legal measures through Parliamentary elections. Faced with a temporary improvement of the German economy by the Weimar Republic's ability to secure loans and investments (mostly from America), Hitler was forced to wait until economic conditions worsened to propel his Nazi agenda. In 1929 Hitler finally got his chance, the American stock market crash of 1929 affected nearly every nation in the world and German prosperity soon came to an end as a result of the Great Depression, vast unemployment and hunger that followed. President Hindenburg's Weimar Republic soon found itself obligated to repay debts owed to countries that once provided assistance during times of prosperity. Discontented German people wanted change and Bruening (Chancellor) believed that a stable parliament majority for his party could deliver the change required, so new elections were held.

Tuesday, January 14, 2020

Oroonoko Matters Of Race And Kingship English Literature Essay

Aphras Behn ‘s Oroonoko tends to concentrate on the intervention of bondage and race, peculiarly Behn ‘s ‘granting of epic stature to an African prince ‘ ( Pacheco 1 ) . This highlights the impression of affinity, and mention to a legitimate sovereign. Behn ‘s novelette of an African slave who was one time a male monarch was published in 1688, the twelvemonth that saw the exsanguine deposition of King James II in England. This essay will seek and research and analyze the connexions between affairs of race and kingship in the novelette. In his article George Guffey challenged such readings by ‘asserting that the significance of Behn ‘s hero resides non in his African beginnings but in his royal blood, his captivity ‘ , ( Lore Metzger 3 ) harmonizing to Guffey, this presents a mirror image of the at hand deposition of the legitimate sovereign, James II. One could construe this as Behn, stand foring hierarchal rules, making a monarchist political orientation ; this is shown in Behn ‘s series of mentions to the executing of Charles I, this creates linkages to Oroonoko ‘s linear as a prince executed by racialist work forces, inferior in hierarchy. The nostalgic imprint of the old order demonstrates the split in English civilization caused by the civil war ‘s wake ; this impression of kingship is shown in Oroonoko when capturers name him Caesar. The storyteller and Oroonoko- Caesar have both received European instructions, as Todd suggests ‘accorded to favor white work forces ; both are victims and donees of socioeconomic systems that discriminate male monarchs from common mans ‘ back uping the privileges of the aristocracy with net incomes of the slave- trade. Oroonoko is described as holding captured and sold black slaves in African wars before he was himself enslaved by a Christian. The storyteller non merely belongs to a slave owning category but ‘clearly supports the chauvinistic colonising endeavor which fuelled and depended on the African Slave trade ‘ ( Todd, 218 ) . Behn uses exuberant description ‘of gold-prospecting ‘ ( 45 ) to propose desirability- in 1688, on the Eve of William of Orange ‘s accession to the British throne- Behn suggests ‘ Ti bemoaned what his stateliness lost by losing that portion of America ‘ ( 59 ) . The storyteller and a hero who are both victims of the slave trade, and by comparing both characters at different minutes, to the Indians, Behn ‘provides a position on ‘the Conquest of America ‘ ( Todd 219 ) demoing impressions of imperialism and kingship. The renaming of slaves can be seen as destructing individuality, slaves were renamed every bit shortly as they arrived in foreign lands, taking individuality and therefore Oroonoko ‘s kingship, nevertheless one could reason the name Caesar given to the character still denotes affinity and creates a certain sum of regard. Throughout the narrative a sort of monarchist discourse pervades Behn ‘s narrative of a prince who is ‘beloved like a Deity ‘ ( 29 ) . After Oroonoko is sold into bondage in Surinam, Behn ‘foregrounds the monarchist myth ‘ ( Anita Dacheco ) . Trefy, who buys Oroonoko, knows he is no ordinary slave, he is at first richly dressed, harmonizing to his societal place, he can non conceal the: ‘Graces of his expressions and Mein The Royal Youth appear ‘d in spight of the slave, even by those who yet knew non that he was a prince ‘ ( p.39 ) Even though disguised, authorization radiances through, this is clearly shown when Oroonoko reaches the plantation, the response of the slaves to his presence make significance of his royal position clear: ‘Live, O male monarch, Long live, O male monarch! And snoging his pess, paid him Divine Homage ‘ ( 41 ) The slaves worship Oroonoko as a God, as Pacheo emphasises ‘It would be difficult to conceive of a more extremist exoneration, of the royal privilege ‘ intending the slaves serve as a map, a literary map, to solidify the rightness and holiness of royal power. Trefry even reflects merrily that Oroonoko ‘s ‘ Grandeur ‘ is ‘confirmed by the Adoration of all the slaves ‘ ( 41 ) . The royalist discourse basically portrays royal power as a natural jurisprudence, with godly intent, shacking the blood of the royal line. The text seeks to reenforce its monarchist political orientation with governing category values, this can be seen by Oroonoko ‘s instruction, the emphasise on preparation as Pacheo references ‘Oroonoko as a European blue blood, with privileges European upper class-culture ‘ , the work forces who contribute to Oroonoko ‘s instruction are gentlemen such as Trefry, a individual of great ‘wit, and all right a cquisition ‘ ( 38 ) . The novelette written at a clip of great intense turbulence in societal power dealingss, endorses the elitist values of the opinion category, formalizing the authorization non merely for the monarchy, but besides of the upper categories that clutter around the throne, ‘allied to it through a shared involvement in continuing the differentiation of familial power ( 496 ) , SOMETHING SHOULD GO HERE. The affairs of race are questioned in Oroonoko ‘s beloved, whom the English rename Clemene. As Todd suggests Imoinda is ‘doubly enslaved- to the Whites, male and female ‘ ( 219 ) one could propose even to her black hubby. In contrast to the storyteller, who stands in relation Oroonoko, as queen or ‘ Petraarchan lady-lord to a vassal- a ‘Great kept woman ‘ ( 46 ) . As Todd provinces ‘Imoinda is an eldritch amalgam of European ideals of European fantasties about married womans of ‘Oriental ‘ tyrants ‘ , she is hence an image of ideal that race can non dispute. Race is shown Behn ‘s portrayal of her African prince, of both his physical visual aspect and his character, is deeply Europocentric: ‘His face was non of that brown rusty Black, His olfactory organ was lifting and Roman, alternatively of African and level, His oral cavity the finest shaped that could be seen: far from those great turned lips, which are so natural to the remainder of the Blacks ‘ ( p 8 ) The text is clearly eager to separate its hero from other inkinesss: his beauty by and large and his single characteristics distance Oroonoko from what the storyteller calls his ‘gloomy Race ‘ ( 6 ) and place him with European thoughts of beauty. The phrase ‘ bating his coloring material ‘ makes his us feel Oroonoko ‘s African beginnings as a liability, a defect in his race. When the novelette comes to see the hero ‘s every bit extraordinary virtuousness. The history of Oroonoko ‘s upbringing stresses his ‘natural disposition to Arms ‘ ( 6 ) , his tuition in ‘ Ethical motives, linguistic communication and Science ‘ ( 7 ) . One could construe this ‘nature ‘ belonging non to primitivism but to royalism, for it is inseparable from elevated birth. We are told of Oroonokos ‘ native beauty ‘ and struck with ‘ an awe and fear, even those that knew non his Quality ‘ ( 6 ) , the word quality combines intensions of virtuousness and high birth, in this novelette a royal birth, which reflects the prince beauty. Individual value is associated with birth, virtuousness with an familial rank which is shown as a natural order. This is a construct of basic hierarchy, virtuousness as Pacheco provinces ‘ virtuousness is purportedly transmitted from one coevals to the following ‘ ( 4 ) , inte nding power and Kingship is legitimised on the impression of worthiness, authorization is presented as familial. Kingship is explored even further when looker-ons are fortunate to witness royalty it inspires ‘Awe and fear ‘ , these picks of words establishes as profoundly right a relationship between the prince and the remainder of humanity. As Pacheco points out ‘there is no reference here of the Doctrine of the Godhead right of male monarchs ‘ this vitally of import to the Stuart sovereign, but the holiness of Kingship is implied as Oroonoko himself is invested with something kindred to divine power.

Monday, January 6, 2020

The Rhetorical Analysis Of Water Is Life - 1123 Words

For this analysis I used a visual text, â€Å"Water is Life,† The organization of this commercial is known as KGHI, published by hungersavers Via Vimeo on April 16, 2013. This commercial starts out by showing the difference between middle-class kids’ morning and a poor Cambodian girl’s morning which included having breakfast and going to school. This leads us to the filling up of their water bottle; the middle-class boy is in the comforts of his home, receiving clean purified water, while on a split screen there is the little girl walking barefoot to the dirty river with a dirty water bottle, getting murky, brown, even little chunks of dirt in her water. The commercial takes us through scenes of their differences transporting to school. The†¦show more content†¦This could trigger children to want to donate or share the video help other children. The author does not provide the audience with hard evidence and reasonings. The goal for this video was more to feel the emotions, to find the evidence and facts in the video by analyzing what is happening during the advertisement as well as the little girls surroundings. It is not just her there, there are many others who are suffering just like her. This interests you to want to look more into what this organization is, where this is all taking place, what kind of people are in need of help, what percentage of children and elderly die there each year. You start having questions and look for the facts yourself. The authors relevant evidence for this commercial would have to be the people in the video. There is a diverse group of people there that need help, it’s not its not children but the parents of those children, the relatives of those children. The author uses the appeal to ethos to establish trust and convince the audience to take an action and hear them out. 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